References (Texts, Films, Works): Chantal Akerman (1975): "Jeanne Dielman, 23 quai du Commerce, 1080 Bruxelles" Walter Benjamin (1934): Der Autor als Produzent Lauren Berlant (2011): Cruel Optimism María do Mar Castro Varela, Alisha M. B. Heinemann (2016): Ambivalente Erbschaften.Verlernen erlernen. (pdf) Ann Cvetkovich (2012): Depression. A Public Feeling Magdalena Fischer (2018) "My Teachers I am." → Mark Fisher (2016): Accelerate Management Jack Halberstan (2011): The Queer Art of Failure Stefano Harney, Fred Moten(2013): The Undercommons. Fugitive Planning & BlackStudy bell hooks (2000): Where We Stand. Class Matters Audre Lorde (1980): The Cancer Journals Audre Lorde (1984): Sister Outsider Karin Michalski (2012) "The Alphabet of Feeling Bad" Precarious Workers Brigade (2017): Training for Exploitation. Politicising Employability and Reclaiming Education Yvonne Rainer (1990) "Privilege" Ruth Sonderegger (2019): Uselessness and purposelessness. On central norms andimperatives of Western aesthetics (Lecture) Sophie Vögele, Philippe Saner (2018): Kunst und Klasse.→
Phillis Wheatley (1773-1784): Complete Writings Virginia Woolf (1929): A Room of One‘s Own Initatives: Pay the Artist Now, IG bildende Kunst, Vienna Precarious Workers Brigade, UK Wages For / Wages Against, Switzerland Working Artists and the Greater Economy W.A.G.E., New York, USA NOUS, PROFESSIONNELLXS Professional associations: IG Bildende Kunst, Austria Visarte Schweiz